"Louis-Ferdinand Céline (1894 -1961), a French physician, is considered one of the most influential writers of the twentieth century." - Wikipedia
Less well known, Celine was an outspoken "anti-Semite." In this excerpt from his 1937 book Trifles for a Massacre, he maintains that analyzing Jewish power and influence is the only thing that matters. The fact that even mentioning this subject is taboo indicates the takeover, facilitated by traitorous Freemason shills, is complete. Was Celine a "hater" or, in fact, a patriot and realist?
"That which effectively characterizes "progress" in various societies, over the course of centuries, is the rise of the Jew to power, to all of the powers... All of the revolutions have given him an increasingly important status... The Jew who was less than nothing in the time of Nero, is in the process of becoming everything.."
(Edited excerpt from 1937 book "Trifles for a Massacre,"pp. 34-35)
In all candor, ...those who have returned from Russia [are] full of details concerning inconsequential items, while avoiding the essential: they say nothing about the Jew.
The Jew is a taboo in all of the books which they present us. Gide, Citrine, Dorgelès, Serge, etc., [his contemporaries] don't say a word about it...therefore they babble... They give the impression of having busted-up the violin, of having overturned the dish, but in reality they have broken nothing at all...
At the present time, the only important thing for the man of affairs, the literary intellectual, the film director, the financier, the industrialist, the politician (for whom this is most important) is not to run afoul of the Jews.
The Jews are our masters - here and there, in Russia, in England, in America, everywhere! ...Be the clown, the insurgent, the intrepid, the anti-bourgeois, the fierce righter of wrongs...the Jew doesn't give a damn! It is entertainment...Gibberings!
But don't touch upon the Jewish question, or you will be quickly put to the fire... Quick as a shot, you will be made to relent, one way or another...The Jew is the King of Gold, at the Bank and in Court... By proxy or in person. He owns everything...the Press...the Theater... the Radio...the Chamber of Deputies...the Senate...the Police...over here, and over there... The great inventors of the Bolshevik tyranny have elicited a thousand cries of horror... that is well understood.
They strike terror into the heart, yet are never, ever seen as pointing out the proliferation of Kikes, nor as adding-up to a global conspiracy... An odd blindness... (at the same time it is necessary to bone-up on Hollywood, its secrets, its intentions, its masters, its universal hype, its incredible market of world-wide stupefaction...
Stalin moreover is nothing but an executioner - of enormous scope, of course, thoroughly endowed with conspiratorial virtues, a Bluebeard for a Marshal, a formidable scarecrow, indispensable in Russian folklore...
But in the end nothing but a stupid executioner, a human dinosaur for the Russian masses who can be made to kowtow only at that price. But Stalin is only the executor of lowly deeds, and is very obedient, like Roosevelt or Lebrun, precisely, in cruelty. [Lebrun, French President (1932-40.)
Revolution is another story! Infinitely complex! Everything existing as structures within structures, and behind the scenes. And in that backstage are the Jews in command, the absolute masters. Stalin is only a front-man, like Lebrun, like Roosevelt, like Clemenceau.
THE BOLSHEVIK REVOLUTION
The success of the Bolshevik Revolution can be understood, in its long run, only as having been of the Jews, for the Jews, and by the Jews... Kerensky competently prepared the way for Trotsky, who prepared the way for the current Comintern (Jewish), Jews in matter of sect and race, Jewish racists (as they all are), the armed circumcised avengers of the Jewish passion, of Jewish vindictiveness, of Jewish despotism. The Jews egged the wretched of the earth, those stultified by castle and clod, on to the assault on the Romanov citadel...and while they threw the slaves into the assault upon all that perturbed them, with armaments going off and things collapsing here, there and everywhere, those stultified by the clod, the hammer and the sickle, after a moment of drunken jabber, have quickly fallen back under new bosses, new bureaucrats and a new, increasingly Jewish, slavery.
That which effectively characterizes "progress" in various societies, over the course of centuries, is the rise of the Jew to power, to all of the powers... All of the revolutions have given him an increasingly important status... The Jew who was less than nothing in the time of Nero, is in the process of becoming everything.
In Russia, this miracle has been accomplished... In France, almost... How can it be recruited, and reformed into a Soviet of the USSR? With workers, manual workers (to the second generation, at least) as most enthusiastic Stakhanovites, and then the intellectuals, Jewish bureaucrats, exclusively Jewish... No more white intellectuals! The possibilities for white critics no longer exist!... This is the prime directive implied in every Communist revolution. The Jews can remain in power only on the condition that all of the Party intellectuals be Jews, or at least be furiously Judaized...espoused to Jewesses, half- breeds, half- and quarter-Jews...(these latter are more rabid than the others...).
For the sake of good form, various well-enstooged Aryan figures are tolerated, for the parade before foreigners... (genre Tolstoy) brought into perfect submission by favor and fear. All of the non-Jewish intellectuals, that is to say all of those who must not be communists, Jewish and communist being for me synonymous, have all been hounded to death...
Their conviction has been made! and strongly made! However nightmarishly disgusting one might find Russia, it nonetheless represents the setting into motion of the world revolution, the prelude to the great completely Jewish night! of Israel's great triumph!
You can sprinkle whatever you want over tons and tons of paper, concerning Soviet horrors, you can issue, wad-up, and strike your pages, but however much your pen attacks and labors with indignation, it will only make them laugh all the more...
They will find you increasingly blind and obtuse... When you proceed everywhere to proclaim that the USSR is a hell...you will still be wasting your breath...
But it will give them less pleasure when you proceed no longer to pretend, and that it is the Jews who are the devils of the new hell! and that all of the goys are the damned. But in spite of that effort at reclamation, you can be certain of the massive propaganda...(and the Ural mines are not yet exhausted)... It's a little more complicated when you sell-out on the party line, the Jewish party line. In the end, it's a little bit more costly... That's all.
Céline's literary legacy was characterized by a virulent antisemitism, racism and bigotry. His Trifles for a Massacre, is an endless litany critical of Jews and their influence on French society. Both The School of Cadavers and The Fine Mess contain antisemitic themes. These anti-Semitic books have been banned in France and have not been reprinted.
After Germany's defeat, Céline fled to Denmark (1945). Named a collaborator, he was convicted in absentia (1950) in France, sentenced to one year of imprisonment and declared a national disgrace. He was subsequently granted amnesty and returned to France in 1951.
Following his return from exile, he lamented his ruined reputation but never voiced regret for his antisemitic works, rather preferring to make additional statements of Holocaust denial, stating that "white Aryan Christian civilization" had ended with Stalingrad and that early in his life he had recognized the Jews as "exploiters."
In 2011, the 50th anniversary of Céline's death Frederic Mitterrand the French Minister of Culture and Communication announced that Céline would be excluded from the a list of 500 French Culture icons to be honored that year because of his antisemitic writings.