The empire requires a nice juicy enemy to keep people's minds off its own sins. During the Cold War, Hollywood responded admirably to the challenge, churning out anti-communist thrillers with Russian bad guys, most memorably during Reagan's surreal presidency, when "Red Dawn" and "Rocky IV" reduced international politics to a comic book parody.
Given who the official enemy is these days, it is no surprise that the Toronto International Film Festival (TIFF), which boasts of 72 participating countries, did not include a 'Spotlight on Iranian cinema' this year. On the contrary, it showcased the latest serving of propaganda against Iran with the premiere of “Argo”, a docudrama depicting the escape of six US diplomats from Iran following the November 1979 seizure of the US embassy in Tehran, when 52 Americans were held hostage, and Iranian student protesters dumped US diplomatic correspondence on the street in a spectacular premodern WikiLeak.
"Argo" is based on then-Canadian ambassador Kenneth Taylor, who indeed hid the six Americans who showed up at the Canadian embassy during the 1979 hostage crisis and issued them fake Canadian passports. Taylor was made an Officer of the Order of Canada and awarded the Congressional Gold Medal in 1981 for his help.
As if scripted in Hollywood, the Friday evening TIFF premier began just hours after the announcement that Canada was closing its embassy in Tehran, adding extra spice.
"Argo" was produced by George Clooney and directed by Ben Affleck, who also plays the lead role of the CIA agent Tony Mendez, posing as director of a fake Canadian science-fiction film (appropriately entitled "Argo"). Mendez convinces Iranian officials that Iran's stark desert panoramas would make a convincing extraterrestrial terrain (the Hollywood subtext being that Islamic Iran is loony and Iranian officials are easily duped).
Clooney and Affleck are not Zionist zealots. They are even criticized for being 'pro-Palestinian' (though that means very little in the case of Hollywood), and both are identified with opposition to US neocon wars. So their production of this blatant propaganda potboiler is a sad commentary on just how obsessed America is with the one country to successfully stand up to it and Israel today. It's as if a muted critique of US government crimes must be balanced by fawning displays of patriotism. Affleck even entertained US troops aboard the USS Enterprise on a USO-sponsored tour of the Persian Gulf in December 2003, despite his reservations about US warmongering (no doubt mock-firing a missile at Iran from the US naval base in Bahrain).
Source and full piece: Eric Walberg, Palestine Chronicle, 12 Sept 2012